![]() As players set out on a journey to reclaim Leo’s memories, they will unravel the mysteries of the bizarre mechanical infection slowly engulfing all that is known to mankind. Players will assume the role of protagonist, Leo, who awakens from a massive explosion only to find himself lost in a strange land with only one memory left to him. Within this multi-dimensional universe, the balance of “Chaos and Order” becomes a key factor in the struggle for these realms and the machinations of the gods who wish to control them. The tale begins in a realm governed by machines. Fantasian is an exciting, new RPG set against a spectacular backdrop made from over 150 handmade dioramas that blends physical environments and 3D characters. From the creator of Final Fantasy, comes the next breathtaking adventure from industry legend Hironobu Sakaguchi. The game will release at some point this year on Apple Arcade. ![]() Soundtrack fans and Disney-philes alike should stick with this, the inimitable original.If you’re unfamiliar with Fantasian here’s an official description and the previous trailers. Honestly though, it isn't the late Stokowski conducting those tracks and therefore not nearly as fun. If it is pure digital bliss you are looking for, Disney did at one point release CDs of Irwin Kostal's 1982 digital rerecording of Fantasia's music. But considering the tracks are over sixty years old now, and existed well before the onslaught of widespread stereo recording, listeners will probably be surprised at how vital and robust the Philadelphia Orchestra still sounds to this day. Yes, the sound could be much better by today's standards, having been folded down from the rather thin-sounding six track "Fanta-Sound" masters to two track stereo on the CD. Smith's liner notes also serve to briskly take the listener through the history of the film and the music. Finally, the discs close out with a knockout doubleheader that begins with Mussorgsky's terrifying "Night On Bald Mountain" and ends with Schubert's tranquil and lovely "Ave Maria". ![]() Then we move on to the sprightly and energetic "Dance of the Hours" from Ponchielli's "La Giaconda". ![]() (Be sure and listen for the aggressive brass and percussion that prefigured the shark material in Jaws.)ĭisc two gives us the lengthier tracks, starting with Beethoven's "Pastoral" Symphony (always the least interesting part of the film for me, made worse today by Disney's revisionist history removing some glaring racial stereotypes from the proceedings – I'm not trying to get on a soapbox here, but there is a real lesson to be learned there if today's Disney wasn't so busy burying it's sordid past). Rounding it out is Stravisky's "Rite Of Spring", sure to be a revelation for any soundtrack fan unfamiliar with this source of much inspiration for modern day composers such as John Williams and Jerry Goldsmith. Disc one is no doubt the more accessible of the two, with the two aforementioned pieces as well as Tchaikovsky's abridged but stellar "The Nutcracker Suite". From Paul Dukas' giddy orchestral tour-de-force "The Sorceror's Apprentice" to Stokowski's orchestral rearrangement of Bach's "Toccata and Fugue in D Minor", this will please newly adventurous ears as much as it will make familiar ones sweetly nostalgic. This album is an inarguable classic, a veritable primer for anyone interested in learning more about straight classical music, and belongs in the collection of any well-rounded soundtrack fan.Īll of the old standards are on display here (many of them having attained their classic status thanks to this historic recording). In the glut of the latest batch of Disney soundtrack reissues (including everything from The Little Mermaid to Newsies) majestically sits the 1990 digital remastering of legendary conductor Leopold Stokowski's original tracks to the 1940 animation extravaganza Fantasia. ![]()
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